I wrote and produced the musical over the last year because I believe that the story of centuries-long efforts by Kosovar Albanians to break free of foreign domination is one that audiences around the world can relate to. It is the story of human dreams passed down from father to son and mother to daughter, the story of love threatened by war and tradition, the story of brave young men and women taking matters into their own hands when their parents counsel patience and passivity, the story of ordinary people whose aspirations to live lives taken for granted elsewhere are held hostage by great-power politics. I was moved by the story in the larger sense, and the way it played out at the individual level, as I talked to and befriended hundreds of Kosovar Albanians and a smaller number of Kosovo Serbs in the course of conducting research for my two books about Kosova:
Kosovo Liberation Army: The Inside Story of an Insurgency, published in English by the University of Illinois Press and in Albanian by Koha Press in 2008, and
The Road to Kosovo’s Independence: Chronicle of the Ahtisaari Plan, to be published next month by Cambridge University Press.
Audience reaction to the musical was enthusiastic. As a result, I have assembled a group of investors and a new creative team to remount it for an eight-week run in Chicago in a larger theatre, beginning in April, 2010. An independent film-making company is making a movie out of the underlying story in the musical. Discussions also are underway regarding productions in New York, Detroit, and Madison, Wisconsin, although these discussions are quite preliminary.
The extensive public, press and media interest in the subject was good for the musical, but it also reveals a serious challenge for Kosova’s future: as the conflicts of 1998, 1999, March, 2004, and February, 2008 have disappeared from the news in the U.S. and Europe, almost no one has any real understanding of how Kosova got to where it is today or what the pathways are for its future.
Public opinion is shaped much more by nationalist Serbian propaganda than by those who know and appreciate the real story. Virtually all of the print articles about the musical prompted a flurry of angry letters presenting the Serb point of view. Although most of the letter writers did not see the musical, they accused me of pro-Albanian bias, incompetence as a lawyer and law professor, of being a CIA agent, and of being a Democrat—a jumble of the usual hysteria alleging that Albanians are threats to Europe because they are drug runners and Islamic fundamentalists.
Except for my musical itself, the Albanian side of the debate was not expressed. Where were the Albanian letter writers? Why are they not as active as their Serb antagonists? Why does not the Kosova government and the Albanian-American community monitor the press and media and have a rapid-reaction squad to make sure the Albanian point of view gets expressed? Bill Clinton and George Bush both showed the necessity of such rapid reaction strategies for anyone who wants to shape public opinion or build an image for a political candidate—or a new country.
Nor is Kosova’s story adequately presented on the Web. The good news is that a Google search turned up, on the first few pages of hits, dozens of website maintained by NGOs, or other states, that present balanced facts and constructive opinion about Kosova. The Prime Minister’s site also showed up. Only two extreme Serbian sites were presented on the top three search-result pages.
Someone who looks specifically for websites sponsored by the government of Kosova finds an improved situation compared to that a year ago but it still is embarrasing. The website for the Ministry of Foreign Affairs is better than it was, now including a link to an IPAK page encouraging investors to invest in Kosova. But one looks in vain for any argument about the legality of Kosova’s independence, a subject likely to attract public attention in the months to come. Where are the actual arguments that Kosova and its friends are presenting to the International Court of Justice? Bizarrely, the page labeled “success stories” for investment in Kosova is blank. Surely at least one success could be written up and posted on this page. Aesthetically the Foreign Ministry web presence is attractive; it is entirely pedestrian in content, however.
If one goes to the English pages of the Ministry of Culture website, one finds lots of pictures of the Minister but concludes that Kosvoso has no culture—no music, no theatre, no sculpture—and no sports, because the web pages dedicated to those subjects are all blank—“under construction.”
Someone interested in investing in Kosova might be expected to consult the website of the Ministry of Trade and Industry. If he did so, he would likely go away frustrated and focus attention on another country. No information of any real use to an investor is there. Clicking on the link for information about registering a business leads to a deadend. Clicking on the tourism link produces an error message.
One need only compare these websites to those maintained by the governments of virtually every American state and many municipalities, or with similar sites maintained in English by the governments of Serbia or Albania to realize how embarrassingly lame, amateurish, and bureaucratically-oriented is Kosova’s web presence. Most people who do not know much about Kosova go to the Web to find out more. They would not come away with a good impression. The government web pages exist to promote Kosova, not only the public images of the ministers.
The only reason the KLA-led insurgency of 1998 and 1999 succeeded was that Kosova was pro-active, creative, and energetic in using all available tools—letters to the editor, media appearances, blogs, and Web postings to mold foreign public opinion. Where is this spirit and energy now, when it is needed as much as ever?
I will continue to do everything I can to get Kosova’s story out. I could use a little more help. Far more important, Kosova could use a lot more help.
More information about the musical is available at
www.youtookawaymyflag.com